conviction Archives - The Friends School of Atlanta

When Fiona Thompson came to develop the art program at The Friends School of Atlanta, she did so under one important condition.

“No popsicle sticks on construction paper. I teach the visual arts. Respectfully I don’t teach crafts.”

Fiona told this to Waman French, the head of school, when interviewing for the job 10 years ago. And sure enough, look around the art room today, you’ll see no popsicle sticks, or at least none used in a crafty sort of way, with rows and rows of similar-looking works lining the walls. In Fiona’s classroom, stuffed to the gills with art supplies, you won’t find such conformity. You instead find clay figures next to paintings next to a sculpture put together using pieces from an IKEA furniture box—sans instructions, of course.

There’s nothing wrong with crafts; it just doesn’t have much to do with what Fiona teaches. She doesn’t teach art appreciation. The act of appreciation implies a kind of separation, a proscenium between art and its audience. Fiona’s classes have no proscenium.

“It’s not just about what you see in an art book,” Fiona said. “It’s about the visual thinking strategies behind what you see, how you see, and why you feel like you do when you’re looking at art. It’s a unique moment.”

Fiona grew up in a household where inclusiveness and social service reigned. Her father spent time in India during World War II. Then back home in Derbyshire, after retirement, he worked to help recent Indian immigrants find their way within the U.K. She went to college to study art at Bath Academy of Art, taught art in London, then at 21 decided to leave the U.K. and travel. She landed in Egypt, worked at the Schutz American School in Alexandria, and taught art pro bono at an Egyptian school and within the Egyptian community. She wasn’t a post-grad on holiday; she was in the trenches, working and serving.

Life has since brought her to (among other places) the University of Chicago, the High Museum of Art’s Education Department, and then, at long last, to her home at The Friends School of Atlanta. The school’s Quaker philosophy fit Fiona’s perfectly, about channeling the Light Within—with a paint brush, sculpting clay, even assembling IKEA furniture assembled into a new creation—to make the world better.

She teaches artistic fundamentals that involve sophisticated concepts, including main ideas, visualizing, making inferences, perspective. She also applies what’s known as design thinking to problem-solving. In a nutshell, she gives students the artistic grammar not just to appreciate, but to create, perceive, and connect.

In Fiona’s view, artistic concepts are at the heart of humanity, the essence of which can’t be automated. The sensors on self-driving cars can “see,” but they cannot perceive. You’ll find Fiona and her students collaborating with instructors in the 3D printing Innovation lab. The best scientists, engineers, mathematicians, physicists—although they may not realize it, they’re artists and design thinkers too.

Even yours truly, something Fiona insisted after I told her that, well, no, I just don’t have the artist’s muse. She shook her head and dove into a speech I could tell she had given many times before. “I believe everybody can draw,” Fiona said. “There’s no reason why you can’t; you’ve just not been shown.”

Looking at the amazing creations lying about the Friends School art room, I believe her wholeheartedly.

By Tim Heston

Tim Heston has written for business magazines since 1996. He’s won some awards here and there, but his greatest achievement is being the proud parent of an FSA fourth grader.

Nancy Bent knows about seeing the world with open eyes. Her father moved the family down south in the 1950s to work as a UPI photographer. He saw it all—the race riots, the protests, the fear, and the strong yet peaceful tenacity of those who stand up for their beliefs.

He spent years as a photojournalist and a television producer in Atlanta, and his experience taught Nancy to see the world in a specific way. You have one picture of reality with two (or more) sides. You see it all, unfiltered, and, with knowledge and empathy, move forward with conviction to do what’s right.

That conviction eventually brought her to The Friends School of Atlanta, first as a mother, then as a board member, and, starting seven years ago, as a school administrator. She’s now FSA’s Director of Advancement and Admissions. Serving all three roles has given her unique perspective.

It can be summed up in an experience Nancy had as an FSA parent, looking at a child’s drawing posted among many others in the school hallway. The school project had to do with human and civil rights, and the stick-figure sketch was of a little girl holding hands with two moms. At first Nancy thought that her daughter—who, after all, has two moms— had drawn it. This was the mid-1990s, and having two moms or two dads wasn’t viewed quite like it is today.

But her daughter hadn’t drawn it. It was a girl who the year before had teased her, saying, “You can’t have two moms. That’s illegal.”

Teachers and administrators intervened and got the children and parents together. Turns out the girl’s parents didn’t believe what their daughter had said. “Bottom line, the girl was just being mean,” Nancy recalled. “She was 8; it can be tough age. I got it. I wasn’t upset with anybody, and it was all handled respectfully.”

The next year, when the teacher asked children to draw something that showed a human or civil right, that same girl thought of her classmate and friend. Next to the drawing she wrote, “Everyone has the right to have a family.”

The girl learned all sides of the picture, moved forward with conviction, followed her heart, and did what she thought was right.

That, in a nutshell, is a Friends School of Atlanta education.

By Tim Heston

Tim Heston has written for business magazines since 1996. He’s won some awards here and there, but his greatest achievement is being the proud parent of an FSA fourth grader.